Showing posts with label Obaku calligraphy. Show all posts
Showing posts with label Obaku calligraphy. Show all posts

Sunday, April 15, 2018

Calligraphy of Muan (1611 - 1684)木菴性瑫 at Philadelphia Museum of Art

http://www.philamuseum.org/collections/permanent/303399.html?mulR=980253270|2



Original Patriarch Daruma Daishi

Mokuan Shōtō, Chinese, 1611 - 1684

Geography:
Made in Japan, Asia
Period:
Edo Period (1615-1868)
Date:
Mid- 17th century
Medium:
Ink on paper, mounted as a hanging scroll
Dimensions:
Exclusive of mount: 55 × 11 1/2 inches (139.7 × 29.2 cm)
Curatorial Department:
East Asian Art
Object Location:
Currently not on view

Accession Number:
2008-87-1
Credit Line:
Purchased with funds donated by Andrea M. Baldeck, M.D., and William M. Hollis, Jr., 2008

Label:
Mokuan was the second patriarch of the Japanese Obaku Zen sect, which still has its headquarters at Mampuku-ji, a Chinese-style temple located at Uji, near Kyoto. He emigrated to Japan from Fukien, China in 1655. The following year he assisted the first patriarch, Ingen (1592 - 1673) in founding Mampuku-ji, and Mokuan became the second abbot in 1664.

The six characters inscribed on this hanging scroll translate to "the first patriarch Daruma." This is a reference to the founder of Zen Buddhism in India, whose name is pronounced "Daruma" in Japanese. Mokuan may have also meant this phrase to serve as an homage to Ingen (as the first patriarch of the Obaku sect in Japan).

Mokuan was renowned during his lifetime for his outstanding calligraphy, with its strong, thick brushstrokes and subtle gradations of ink. As in this one line calligraphy, the even spacing and rounded characters have a powerful yet elegant effect, balanced by the wiry, angular signature at the left.

Sunday, June 7, 2015

Obaku Monks' Calligraphy and Painting Collection at Yongfu Monastery 永福寺

Donggao Xinyue Calligraphy in Ven. Yuezhen's Tea room, photo by Jiang Wu
Ven. Yuezhen 月真 at Yongfu Monastery is a thoughtful person. He does not want to spend money on building splendid temple halls. Rather he would like to build the best collection of Obaku monk's calligraphy and painting, especially Donggao Xingyue's. He told me that so far he has collected about 170 pieces through auctions and other means.
Muan's calligraphy in Yongfu Monastery, photo by Jiang WU
Few years ago, in 2012, he held an exhibition of his collection (at that time only about 70 pieces) at Zhejiang Fine Arts Museum in Hangzhou. The content of the exhibition has been published as well.

20121101131633_30904.jpg
Exhibition poster
Publication from Exhibition of Obaku monks in Japan, photo by Jiang Wu


Table of content, photo by Jiang Wu








Saturday, November 29, 2014

Exhibition of Obaku Calligraphy at St. Louis Art Museum

I am so glad meeting Philip Hu on Facebook. He pointed to me an exhibition of Obaku calligraphy at St. Louis Art Museum which he is curating. It will be there until Feb. 22, 2015. Go to see it. Here is the weblink to the exhibition and a few shots Philip sent to me.