Master Donggao's 東皋 music notes have been a subject of academic studies since Robert van Gulik discovered him in the 1940s. Prof. Li Meiyan 李美燕 in Taiwan is an expert in this area. I found one of her articles online and there are many more.
李美燕,〈東皋心越之琴道及其自創琴歌研究〉。《藝術評論》,21期,2011年
李美燕,〈高羅佩與東皋琴學—以《明末義僧東皋禪師集刊》與《東皋琴譜》為考察對象〉,《琴學薈萃—第二屆古琴國際學術研討會論文集》。濟南:齊魯書社,2011年。
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